More from The Image & Culture Journal
Who Protects the Protector?
Who Protects the Protector?
September 27, 2026 | Theresa Rezeau
The uniform comes off. What happens to everything the officer has seen?
Who Mourns the Gang Member? 🔒
Who Mourns the Gang Member? 🔒
September 14, 2026 | Theresa Rezeau
Every child is searching for somewhere to belong. Who will claim them before the gang does?
I Don’t Know When I Was Born
I Don’t Know When I Was Born
September 13, 2026 | Theresa Rezeau
What if you didn’t know when you were born? Francis Bacon’s self-portrait asks what it means to truly know ourselves.
Callow Disgrace 🔒
Callow Disgrace 🔒
September 9, 2026 | Theresa Rezeau
Caravaggio meets The King in a reflection on power and pride. What happens when authority arrives before wisdom?
The People Who Stayed
The People Who Stayed
September 3, 2026 | Theresa Rezeau
Raphael left the painting unfinished. He died before the miracle arrived. Some of us are still waiting below the mountain.
What If Hope Is the Drug?
What If Hope Is the Drug?
August 26, 2026 | Theresa Rezeau
When does perseverance become a refusal to accept evidence? Theresa Rézeau reflects on George Frederic Watts’s Hope (1886).
Forever 21 🔒
Forever 21 🔒
August 22, 2026 | Theresa Rezeau
At twenty-one, a daughter steps into a life of her own. Through the lens of Klimt, a mother learns that love must let her go.
Divine Elegance 🔒
Divine Elegance 🔒
August 19, 2026 | Theresa Rezeau
Theresa Rézeau on Leonardo da Vinci’s Mona Lisa and what it means to hold a room without trying.
Even the Jailbird Sings 🔒
Even the Jailbird Sings 🔒
August 9, 2026 | Theresa Rezeau
Theresa Rézeau on Van Gogh's Prisoners' Round and the freedoms no wall has ever learned how to contain.
The Boss 🔒
The Boss 🔒
August 6, 2026 | Theresa Rezeau
Theresa Rézeau on Millet's The Sower and José Mujica: power, freedom, and the quiet authority of those who plant rather than accumulate.
The Dignity of Difference
The Dignity of Difference
July 29, 2026 | Theresa Rezeau
Theresa Rézeau on Ribera's The Clubfoot and what a smiling boy in 1642 still reveals about dignity, disability, and human worth.
The Last Flower 🔒
The Last Flower 🔒
July 27, 2026 | Theresa Rezeau
Theresa Rézeau on Rachel Ruysch's still life paintings and what wilting flowers teach us about beauty, time, and the grace of letting go.
The Man Who Built the Impossible 🔒
The Man Who Built the Impossible 🔒
July 25, 2026 | Theresa Rezeau
Theresa Rézeau on Turner's The Shipwreck and Thomas Andrews, the man who designed the Titanic and watched it disappear in a single night.
The Image of Risk 🔒
The Image of Risk 🔒
July 21, 2026 | Theresa Rezeau
When did the powerful dog become an image of danger? Theresa Rézeau explores Landseer, risk and responsibility.
The Monsters We Create
The Monsters We Create
July 14, 2026 | Theresa Rezeau
Theresa Rézeau on Hogarth's Four Stages of Cruelty and the society that keeps producing the conditions for youth violence.
Change My Name 🔒
Change My Name 🔒
July 9, 2026 | Theresa Rezeau
Theresa Rézeau on Bonnat's Jacob Wrestling with an Angel and what a new name cannot do alone.
The Blindness of the Sighted 🔒
The Blindness of the Sighted 🔒
July 6, 2026 | Theresa Rezeau
Blindness and the refusal to see are not the same thing. Theresa Rézeau on Bruegel and what we choose not to see.
Year 1992 🔒
Year 1992 🔒
July 3, 2026 | Theresa Rezeau
Theresa Rézeau on Van Gogh's Potato Eaters and a year in Zimbabwe she has never left behind.
The Hand Of God 🔒
The Hand Of God 🔒
June 30, 2026 | Theresa Rezeau
Maradona called it the hand of God. Theresa Rézeau on Michelangelo and the most controversial gesture in football history.
The Erosion of Gallery Culture
The Erosion of Gallery Culture
June 18, 2026 | Theresa Rezeau
Galleries are closing and fewer people are collecting. Through Hopper's Nighthawks, Theresa Rézeau asks what is really being lost.
The Trillionaire and the Skull 🔒
The Trillionaire and the Skull 🔒
June 13, 2026 | Theresa Rezeau
Theresa Rézeau on Elon Musk's trillion and what Holbein's hidden skull still has to say.
Child of Africa
Child of Africa
June 6, 2026 | Theresa Rezeau
What does it mean to belong in Africa? Theresa Rézeau explores borders and belonging through Moses Tladi.
The Spiritual Cost of Constant Visibility 🔒
The Spiritual Cost of Constant Visibility 🔒
May 15, 2026 | Theresa Rezeau
Bosch's Cure of Folly understood it centuries ago. Theresa Rézeau on what modern visibility culture costs the interior life.
When the Pavilion Becomes the Battlefield 🔒
When the Pavilion Becomes the Battlefield 🔒
May 12, 2026 | Theresa Rezeau
Boycotts are turning Venice into a battlefield. Theresa Rézeau on Hirszenberg and what is lost when artists are reduced to nationality.
The Image of Melancholy 🔒
The Image of Melancholy 🔒
May 4, 2026 | Theresa Rezeau
What does Munch's Melancholy share with Michael Jackson's childhood? Theresa Rézeau on distance, discipline, and the slow restructuring of closeness.
And There Is Nothing to Be Done
And There Is Nothing to Be Done
May 1, 2026 | Theresa Rezeau
Goya's Y no hay remedio refuses to make violence meaningful. Theresa Rézeau on exile, war, and the cost of seeing clearly.
Tears of the General 🔒
Tears of the General 🔒
April 18, 2026 | Theresa Rezeau
David's Napoleon does not climb the mountain — he commands it. Theresa Rézeau on power, belief, and the images we are taught to trust.
The Dream Costs. Just Ask Basquiat 🔒
The Dream Costs. Just Ask Basquiat 🔒
April 7, 2026 | Theresa Rezeau
Basquiat didn't just paint — he insisted. Theresa Rézeau on the cost of greatness and what his life reveals about legacy.
Hope is Motion 🔒
Hope is Motion 🔒
April 5, 2026 | Theresa Rezeau
Eugène Burnand’s painting of Peter and John running to the tomb reveals what hope looks like before certainty arrives.
Good Friday 🔒
Good Friday 🔒
April 3, 2026 | Theresa Rezeau
Rubens’ Elevation of the Cross refuses to make the Crucifixion abstract. Theresa Rézeau on violence, responsibility, and what makes Good Friday “good.”
Ghetto Gospel
Ghetto Gospel
March 28, 2026 | Theresa Rezeau
When does proximity become suspicion? Theresa Rézeau examines migration, xenophobia and urban inequality through Tanner’s Flight into Egypt.
When the Earth Cannot Write Back
When the Earth Cannot Write Back
March 22, 2026 | Theresa Rezeau
War's ecological casualties go unrecorded. Theresa Rézeau on Burtynsky, Turner, and the earth's silent suffering.
Commodus: The Tragedy of the Unseen Son 🔒
Commodus: The Tragedy of the Unseen Son 🔒
March 20, 2026 | Theresa Rezeau
Before Commodus became a tyrant, he was a son who felt unseen. Theresa Rézeau on paternal silence and the Hercules who hid behind it.
Eid and the Art of Gratitude 🔒
Eid and the Art of Gratitude 🔒
March 19, 2026 | Theresa Rezeau
Discipline gives meaning to celebration. Theresa Rézeau on Eid, Islamic art, and the quiet architecture of gratitude.
Leader Of The Nation 🔒
Leader Of The Nation 🔒
March 16, 2026 | Theresa Rezeau
What does it truly mean to lead a nation? Eugène Delacroix’s Liberty Leading the People has the answer.
Motherhood Under Pressure
Motherhood Under Pressure
March 15, 2026 | Theresa Rezeau
What does Lange's Migrant Mother still tell us today? Theresa Rézeau on maternal resilience across a century of crisis.
The Joker and Goya’s Saturn 🔒
The Joker and Goya’s Saturn 🔒
March 7, 2026 | Theresa Rezeau
What connects Goya's Saturn to the Joker's philosophy? Theresa Rézeau on fear, power, and what quietly resists moral collapse.
The Kiss
The Kiss
February 14, 2026 | Theresa Rezeau
What does Valentine’s Day leave unsaid about love? Theresa Rézeau on Munch’s The Kiss.
Contemporary Art: The Question of Trust
Contemporary Art: The Question of Trust
February 10, 2026 | Theresa Rezeau
Nobody really likes contemporary art — or so the claim goes. Philippe De Kraan disagrees.
Pain Needs Shelter 🔒
Pain Needs Shelter 🔒
January 24, 2026 | Theresa Rezeau
Family pain needs shelter, not spectacle. Käthe Kollwitz knew it first.
The Hand That Laboured
The Hand That Laboured
January 10, 2026 | Theresa Rezeau
Sacred images can now be summoned in seconds. Theresa Rézeau considers Rublev’s Trinity in an age of instant creation.
Black Art, Divine Witness
Black Art, Divine Witness
October 1, 2025 | Theresa Rezeau
Tanner’s The Banjo Lesson is a painting about knowledge passed from one generation to another. A reflection on Black art, recognition, and the dignity of being seen.
The Art of Fatherhood
The Art of Fatherhood
June 15, 2025 | Theresa Rezeau
Theresa Rézeau on Rembrandt's Return of the Prodigal Son and what two ageing hands resting on broken shoulders reveal about fatherhood.
What Makes A Masterpiece?
What Makes A Masterpiece?
May 21, 2025 | Theresa Rezeau
Theresa Rézeau on what truly earns the title of masterpiece and who gets to decide.
Art Meets Property
Art Meets Property
May 18, 2025 | Theresa Rezeau
In luxury real estate, art is no longer decoration. It is the soul of the home.
The Art Of Motherhood
The Art Of Motherhood
May 11, 2025 | Theresa Rezeau
Theresa Rézeau on Leonardo's Virgin and Child with Saint Anne and the hidden force behind every civilisation.
When Heaven Paints Again
When Heaven Paints Again
May 8, 2025 | Theresa Rezeau
A new papacy brings a new vision. Theresa Rézeau on Pope Leo XIV, sacred art, and the quiet Catholic revival reshaping Britain.
The Body as a Gift
The Body as a Gift
May 5, 2025 | Theresa Rezeau
Beauty standards change. Art remembers. Theresa Rézeau on the body, judgement, and what Rubens understood.
The Price Was Two Guilders 🔒
The Price Was Two Guilders 🔒
May 3, 2025 | Theresa Rezeau
Warren Buffett built his legacy on patience and long-term value. So did Vermeer. Theresa Rézeau draws the line between them.
Ukraine: Art Worlds Under Fire
Ukraine: Art Worlds Under Fire
May 2, 2025 | Theresa Rezeau
War fractures cultural memory. Theresa Rézeau on Guyetsky and a Ukrainian art dealer forced into exile.
The Naked Truth 🔒
The Naked Truth 🔒
April 30, 2025 | Theresa Rezeau
Theresa Rézeau on Modigliani and why the artistic nude still unsettles a culture that has no trouble with hyper-sexualised billboards.
Enough Of This Scandal!
Enough Of This Scandal!
April 30, 2025 | Theresa Rezeau
The art world is rife with scandal, from looted artefacts to inflated markets. Theresa Rézeau argues it's time collectors, advisors, and institutions demand transparency and collect with conscience.
The Art of Reconciliation
The Art of Reconciliation
April 29, 2025 | Theresa Rezeau
Batoni painted the return. The Eubanks reveal how difficult reconciliation can be.